One of the least known of Henry Moore's monumental sculptures is his 1970 Reclining Figure which has been on permanent display in Halifax for the last fifty years. In order to overcome the civic antipathy to major arts projects, Moore cleverly disguised the sculpture as an overpass.
Grimsby Fish Docks (c1985)
In this strange, modern world in which we live, we travel vicariously: in our minds and in our memories. My particular means of transport is my collection of negatives: photographs I too fifty or so years ago. They not only remind me of a time in my life, but also of people, crowds, cars, noise: … Continue reading Vicarious Travel
This is a scan of an old negative of mine which gives rise to a couple of questions. I am not sure about the date - there is a train in the image, but trains change so slowly in these parts, it could be anytime during the last sixty years. You can make out the … Continue reading Bailey And Albion
Last week's images from my Picture Post Blog
The Fowler Beanland Album IV This is another vintage card from the postcard album of Fowler Beanland. "A true friend is a sure anchor" is the early twentieth century equivalent of those trite quotations you see on Facebook or etched into all plaques to hang on the kitchen wall. The flags featured on the card … Continue reading A True Friend Is One That Gets Lost
This rather unusually shaped portrait of a studious young boy is described on the reverse as a "Panel Portrait" and is by the Blackpool photographer J Bamber of 69, Church Street. The only other reference I can find online to a "panel portrait" is by the same photographer and dates from the 1920s, so we … Continue reading Panel Portrait
I finally made it to Cliffe Castle Museum and Park in Keighley on Thursday and I am so glad that I did. I went there to see the fabulous stained glass windows by William Morris, Burne-Jones and Rosetti, that were from the former St James Church in Brighouse. They are displayed magnificently along with many … Continue reading Cliffe Castle, Keighley
UNKNOWN GROUP OF SEVEN AND A WALL Seven people and a wall. Seven mid-century faces: post-war, post-depression - all tweed jackets and Oxford bags. That first, troubling half century is behind them - the future is awaiting them.