I am not sure if I was attracted to this little Victorian portrait by the look in the eye of the sitter or because in was taken in the studios of Sydney Barton in New Brighton. I remember New Brighton well from childhood seaside trips (the name “New Brighton” was a triumph for positively-spun nomenclature second only to the island of “Greenland”). Barton was listed in the 1901 census as living at 95 Victoria Road, New Brighton along with his wife, three children and a live-in maid. His occupation was that most trendy of late-Victorian occupations – “photographer”. It always amazes me how a bit of pasteboard, just four inch by two and a half, can have so much history stuck to it.
Tag Archives: CdV
There is an advert doing the rounds on television at the moment for some new family history database service which is supposed to make tracing your ancestors as easy as sending a Paypal transfer for £100. Just press a computer key and: “Oh goodness, my grandmother was the daughter of the Duke of Beaudung“, says the happy customer, followed by “Well fancy that, my Great Uncle Percy” was with Nelson at Trafalgar“! Those of us who have actually dipped our genealogical toes into the world of old census returns and births, marriages and death notices, know it is never as easy as that. The tangled web we leave when first we practice to deceive, has nothing on the convoluted web that connects us with the past. Take, for example, Edward Gregson.
Edward Gregson was not – as far as I am aware – any relative of mine, but he was a photographer and native of my own home town of Halifax. Over the years, I have managed to collect a small number of his photographs which date from the latter half of the nineteenth century. I have featured several of these in my various blogs, and on the last occasion that I featured one of his Carte de Visites, I recklessly vowed that I was off in search of his story. We know from the studio details printed on his various photographs that he had studios both in Halifax and Blackpool, and several Halifax addresses are associated with his name, including the Central Portrait Rooms, Waterhouse Street, Bedford Street, and Lister Lane. We can’t even be sure of his name – there are referenced to both Edward Gregson and Edgar Gregson, both of whom were Halifax photographers – nor the dates when they were active. Quite clearly we have a photographic dynasty at work, and untangling it is going to be just as difficult as getting your portrait subjects to stand or sit still for long enough for your Victorian shutter to click open and closed.
What I should do, of course, is to lock myself away in a dark room, do lots of research and eventually come back to you with the fruit of my labours in the form of a clear and precise account of E Gregson, photographer and businessman. But that would be boring for me, and probably excruciatingly boring for you. Far better to join me as I dig and delve into whatever I can find out, in no particular order, and with the possibility of no precise conclusions. It is not, perhaps, as satisfying as being told that your Cousin Mabel was a pony driver for Scott’s Expedition to the Antarctic …. but at least it won’t cost you £100.
Let us start with a bit of solid evidence, which is a death notice from the Halifax Courier of 12th January 1889, of one Edward Gregson, photographer of Halifax and Blackpool who died of dropsy at the age of 56. We now have a definite birth year (1833); a death year (1889), and a definite name, Edward Gregson. Let us see where this takes us….. (to be continued …. probably)
In 1864, Mayall moved from London to Brighton – leaving the London Studios under the direction of his son – and established a new photographic studio in King’s Road. It is from this period that the small Carte de Visite of an unknown man in a check suit dates. Mayall spent the rest of his life on the South Coast before dying early in 1901 – within a few weeks of the Queen he had famously photographed forty years earlier.
My thanks to the unknown man in the check suit for taking me on such a fascinating journey.
My first thought when I examined this old Carte de Visite from the Wolverhampton studios of Carl Holt was, who was the real woman under all these clothes? She has the look of a bleached milk chocolate wrapped in too many layers of coloured cellophane – or rather mourning-black crape. It is high summer outside, and I am forced to wonder how people managed when the sun came out? The clue, perhaps, is in the address of Carl Holt’s studio – Winter Hill, Wolverhampton!
I was in Lowestoft a couple of weeks ago and I probably walked past the studio where this portrait was taken 140 years ago. Like so many Victorian photographs, history seeps out of its sepia salts.
This little albumen carte-de-visite of Albert Edward, Prince of Wales (who was later to become King Edward VII) turned up in a job lot of old Victorian prints I bought the other week. It dates from about 1862 and comes from the Paris studios of Emile Desmaisons.
The print is now over 150 years old and as fresh as a pasteboard daisy. How many of the smartphone snaps of today will achieve the same longevity?