According to my Little Oxford Dictionary, the definition of “wandering” is to aimlessly move from place to place in a casual fashion. That being the case, I declare myself a wanderer, indeed I will consider putting that down as my religion when the census forms arrive in a few weeks time. The Lockdown places a severe restriction on my ability to aimlessly wander, of course, but even within the confines of a definable “local area”, I am still able to practice my religion. Yesterday we wandered around the lower part of Elland and up Exley Bank (like all good religions, wandering needs a bit of sacrifice in its devotions – that’s why hills were invented), and for the first time in my life, I discovered Elland Cemetery. For those who haven’t been, it is one of those expansion cemeteries, added to towns in the nineteenth century when the local churchyard became too full. It occupies a spot high on the hill, looking down on where Elland Hall used to stand, and where endless vehicles now by-pass Elland. There are some fine gravestones and monuments, but one in particular caught my eye – a fine stone statue that appeared to be pointing departed souls in the direction of Ainley Top and the road to Huddersfield.
One of the great things about wandering as a religion, is that it can be practiced just as easily from a desktop; and so on my return home I went wandering through the records to find out more information about the statue – which was on top of the grave of Eli Garnett and his family. After consulting the sacred texts – the prophets Google, Malcolm Bull, Census records and the British Newspaper Archives – I eventually found the following piece from the Halifax Guardian of 21 September 1889.
“A WORK OF ART – At the monumental works of Mr J Noble, West Vale, there is a monument which is about to be erected in Elland Cemetery to the memory of the late Mr Joseph Garnett, son of Mr Eli Garnett, of Lowfield House, Elland. The monument is in classical design, and stands on a massive pedestal, and an inscription stone containing a marble panel, which is an exact facsimile of a medallion representing an emblem of music copied from the monument of Jenny Lind. The total height of the monument is 13ft, the pedestal, which is 7ft 6in high, being surmounted by a life-sized figure of Hope. The whole is executed from Bolton Wood stone, and has been done at Mr Noble’s works at West Vale. The figure itself has been carved by Mr Arthur S Rogers, Holywell Green, and is a fine example of delicate and skilful workmanship”
I too, think that the figure of Hope is a fine example of skilful workmanship, but I will leave it to my brother to provide a proper professional assessment. Skilful or not, meeting Hope standing high over Elland, made my day.