Transcending Silver Salts In Hebden Bridge

A good vintage photograph is one in which the personality of the subject being photographed somehow transcends the chemical process of silver salts and hypo fixer, and flows straight off the pasteboard card. This photograph of an unknown woman from the Hebden Bridge studio of Crossley Westerman is one such photograph. Westerman established his “Electric and Daylight Studio” in Hebden Bridge in 1892, and quickly acquired a reputation for high quality portrait work. His daughter Ada eventually ran the studio and shop and in 1921 she employed a young apprentice photographer, a local girl, Alice Longstaff. Alice became a very accomplished photographer, and during a long career (she took over the studio in 1936 and ran it until her death in 1992) she produced a extensive collection of work. The story of Alice Longstaff is told in a book, “Alice’s Album” by Issy Shannon and Frank Woolrych, and there are many examples of the work of both Crossley Westerman and Alice Longstaff on-line. This particular photograph is probably too early to be the work of Alice Longstaff, but whoever took it, it is a piece of work to be proud of.

1 Comment »

  1. That’s a lovely clear photo. I’d say from her hair that she wore intermediate-size hats – not the huge Victorian ones that needed a woman to make her hair stand out at the sides to balance it – but something a bit smaller. The lace looks as if it has been sewn on by hand – perhaps by her. The bow looks like it’s been added an an afterthought. Quite pretty.

    Like

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s