There is something strangely modern about this photograph from the studio of the Hebden Bridge photographer, Crossley Westerman. It probably dates from the period following the First World War when the studio was run by Westerman’s daughter, Ada, and the young Alice Longstaff. I’m not sure how I acquired the photo, but I like to call it “The Lady and the Dachshund”.
alanburnett.com 
That’s a handsome portrait and the lady is pretty nice, too.
It reminds me of a story I did for Sepia Saturday 355 in February 2017.
Bears of Denmark and Dachshunds of Siam
https://temposenzatempo.blogspot.com/2017/02/bears-of-denmark-and-dachshunds-of-siam.html
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